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Shaping knowledge worker behavior can be encouraged by addressing the need to be recognized and the tendency to follow the group by promoting exemplary behavior through newsletters and the local newspapers. Similarly, many KM initiatives ignore the uniqueness of every knowledge worker and erroneously assume a homogeneous, intelligent, motivated workforce. However, this assumption is valid only to the extent that the human resources department is able to recruit the appropriate knowledge workers through screening and job placement. In theory, a flat organization that lacks a managing knowledge gatekeeper may offer greater opportunity for knowledge sharing. However, allowing every knowledge worker to share and have access to all available information can be counterproductive, given that everyone desires to control his or her own environment, needs recognition, and tends to address personal interests first. It s impossible for knowledge workers to double as managers when they should be focused on getting their jobs done. Thus leadership, whether in the form of a corporate manager or someone appointed by self-organizing group, is key to the smooth operation of every knowledge organization. The next chapter continues exploring KM principles and challenges by examining the processes involved in a knowledge organization.

If you regularly work on huge images or your machine is old and kind of slow, Photoshop lets you speed the display of entire layers on the move. Press Ctrl+K and then Ctrl+3 ( +K and then +3 on the Mac) to display the Display & Cursors panel of the Preferences dialog box. Then select the Use Pixel Doubling option. From now on, Photoshop shows you a lowresolution proxy of a selection or a layer as you drag (or Ctrl-drag) it across the screen.

U S E F UL F IN A N CIN G AND R EAL ESTATE B O O KS, REPO R T S, T R AINING COUR SES, A N D N EWSLET T ERS F OR B EGINNING AND E XPERIEN C ED WEALT H B UIL D ER S

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In this chapter we apply these techniques to continuous finite elements for second-order PDEs in two spatial dimensions, extending the knowledge of one-dimensional continuous finite elements acquired in 2. The lowest-order Q1/P'-elements are introduced in Section 4. I . In Section 4.2 we discuss higher-order Gaussian quadrature in 2D. After that, the Q1/P' -elements are extended to higher-order Lagrange nodal elements in Section 4.3.

Jlwpa(K) lim p3(K)

$first_number = 55.5; $second_number = Not a number at all ;

Let s revisit the portrait of the couple with their dog. This time, I ll use Smart Filters to blur around them:

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FIGURE 34-7

The Uses of Style Readability Comments PHPDoc File and variable names Uniformity of style Maintainability Avoid magic numbers Functions Include files Object wrappers Consider using version control 599 600 602 602 603 605 605 605 606 606 607 607.

If the main subject or area of your composition is off-center, traditionally, you would use the following classic method for choosing and locking in an off-center focus point: 1. Point the camera lens at the key subject or area of the scene. 2. Press the shutter button down halfway, which freezes or locks the focus (and exposure). 3. While still holding the shutter button down halfway, frame the scene (which may displace that key subject out of the center of the scene). 4. Press the shutter button all the way to capture the scene. DSLRs also have AF-L (autofocus lock) and AE-L (auto exposure lock) buttons. Instead of holding the shutter button down halfway to lock in the focus and/or exposure, simply press the AF-L or AE-L button. Please see the Choosing Your Focus Point or Area section later in the chapter for discussions of other DSLR methods of doing so.

OFFSET is arguably the most often used editing command on the system. OFFSET copies an object parallel to an existing object at a given distance. Note that the OFFSET command works only in theX-Yplane.

Smart Objects are new to Photoshop CS3 and are among the major advancements in CS3. They allow you to apply filters to a layer by adding those filters as sublayers. These filters are called Smart Filters. There are several benefits of turning a layer into a Smart Object. Changes that are made to a Smart Object are never destructive to the original file, even if that file is already in PSD format. When you change a layer into a Smart Object, the original file can only be accessed by double-clicking the Layer button and opening the original file in its own window. Changes made and saved to the original file are automatically updated on any instance of that file as a Smart Object.

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